I’m happy to be participating in this year’s revival of the annual Dumbo Open Studios.
The event will be held on May 13 and 14th this year, a big change from the fall dates used in past years. The event website lists over 100 artists and at least eight of those are right here in the same building as my own space. Come see what the studio is like in the spring!
DUMBO Open Studios Saturday, May 13 + Sunday, May 14 1-6 PM.
89 Bridge Street, 2nd Floor Left
Brooklyn NY 11201 Google map
The rich blue and gold of Stoltzfus’ large, painted abstractions draw viewers into the gallery. These glimmering works — some actually made with gold and palladium leaf — represent the modernist tradition. Indeed, like Kandinsky and Rothko before him, Stoltzfus seeks to represent through form and color the immaterial essence of pure spirit. In “Scarab,” he depicts a subtle luminosity emerging from a dense network of blacks. In “After,” the glow is more assertive, and suggests the final blast of a fireworks display, its image reflected out across the surface of a dark lake. Each composition is built through a laborious process of painting one circle after another until the entire surface of the canvas has been encrusted with the repeated pattern. Some may find Stoltzfus’ repetition of a single form cold or mechanical, perhaps at odds with the artist’s larger goal; others may liken its repetitive logic to chanting or prayer.
Laura Korman Gallery is pleased to exhibit artists Cara Barer, Heather Carisch, James Lecce, Katherine Tzu-Lan Mann, Maureen McQuillan, Kristina Quinones, and Randall Stoltzfus in the group exhibition, SPECTRUM…
SPECTRUM brings together seven artists from across the country with vastly different practices, who are united by their intrepid handling of color as an evocative agent of expression.
Oscillating between abstraction and representation, Randall Stoltzfus uses the circle as a basis for his practice. Conjuring up visions of Seurat’s neo-Impressionist Pointillist paintings and Van Gogh’s Starry Night, Stoltzfus intricately builds layers of multicolored circular patterns with oil, adding carefully selected pigments and gold leaf to produce images that seem to glow from within. These abstract landscapes at once reference the macro and the micro, as Stoltzfus breaks up the picture plane into a myriad of mesmerizing forms that taken from afar form a single cohesive image.
I have several paintings in this group exhibit at Chautauqua Instutution’s Strohl Art Center. I spent two formative summers at the School of Art at Chautauqua, one studying with Stanley Lewis and a then a second as an employee. The place and the amazing teachers and peers I met while there made those two summers high points in my journey to becoming a professional artist. It is an honor to be included in this exhibition.
VACI has been the starting point for hundreds of now established artists. Generally we meet them for one brief summer as they start out, but what happens next? This exhibition of works by five alumni from the Chautauqua School of Art, who have gone on to successful careers as artists begins to answer that question.