These 5 by 7 inch postcard prints fit in anywhere. Frames are great, but totally optional.
Got a photo of your print where it lives? Send it!
Scott Bodenner is a gifted textile designer, polymath, and friend. He trained as a hand weaver, with a degree from RISD and early on-the-job experience with a German textile mill. He has a unique perspective on industrial mill capabilities and limitations, to which he brings a deeply held concern for recycling. One of his favorite books is Victor Papanek’s Design for the Real World: Human Ecology and Social Change .
I am lucky to have had the chance to work with Scott to produce a custom bolt of synthetic artist’s canvas using recycled polymer. I recently sat down with Scott to talk about that project and ask the questions that a painter might have for a textile savant.
The studio doors will be open Sunday November, 13, 2016 from 1-7PM
Sunday, November 13th, 2016, 1 – 7 PM
89 Bridge Street
Brooklyn, NY 11201
I’m up one flight of stairs, to the left, and down the hall.
Come share conversation, light, and art. Refreshments will be served, including some special gumbo prepared by a guest cooks in a neighboring studio.
Several of my paintings are part of a creative seasonal display on the 7th floor at Bergdorf Goodman though October 14th.
Photos courtesy Blank Space Gallery.
The rich blue and gold of Stoltzfus’ large, painted abstractions draw viewers into the gallery. These glimmering works — some actually made with gold and palladium leaf — represent the modernist tradition. Indeed, like Kandinsky and Rothko before him, Stoltzfus seeks to represent through form and color the immaterial essence of pure spirit. In “Scarab,” he depicts a subtle luminosity emerging from a dense network of blacks. In “After,” the glow is more assertive, and suggests the final blast of a fireworks display, its image reflected out across the surface of a dark lake. Each composition is built through a laborious process of painting one circle after another until the entire surface of the canvas has been encrusted with the repeated pattern. Some may find Stoltzfus’ repetition of a single form cold or mechanical, perhaps at odds with the artist’s larger goal; others may liken its repetitive logic to chanting or prayer.
— Patricia Briggs, The Chautauquan Daily
July 26 – October 29, 2016
Reception: Saturday, July 30, 5-8 p.m.
From the Press Release:
Laura Korman Gallery is pleased to exhibit artists Cara Barer, Heather Carisch, James Lecce, Katherine Tzu-Lan Mann, Maureen McQuillan, Kristina Quinones, and Randall Stoltzfus in the group exhibition, SPECTRUM…
SPECTRUM brings together seven artists from across the country with vastly different practices, who are united by their intrepid handling of color as an evocative agent of expression.
Oscillating between abstraction and representation, Randall Stoltzfus uses the circle as a basis for his practice. Conjuring up visions of Seurat’s neo-Impressionist Pointillist paintings and Van Gogh’s Starry Night, Stoltzfus intricately builds layers of multicolored circular patterns with oil, adding carefully selected pigments and gold leaf to produce images that seem to glow from within. These abstract landscapes at once reference the macro and the micro, as Stoltzfus breaks up the picture plane into a myriad of mesmerizing forms that taken from afar form a single cohesive image.