I’m happy to be participating in this year’s revival of the annual Dumbo Open Studios.
The event will be held on May 13 and 14th this year, a big change from the fall dates used in past years. The event website lists over 100 artists and at least eight of those are right here in the same building as my own space. Come see what the studio is like in the spring!
DUMBO Open Studios
Saturday, May 13 + Sunday, May 14
89 Bridge Street, 2nd Floor Left
Brooklyn NY 11201
My listing on the event website
These 5 by 7 inch postcard prints fit in anywhere. Frames are great, but totally optional.
Got a photo of your print where it lives? Send it!
You can buy all of these prints in the Studio Shop
Marie framed them
On the shelf
Scott Bodenner is a gifted textile designer, polymath, and friend. He trained as a hand weaver, with a degree from RISD and early on-the-job experience with a German textile mill. He has a unique perspective on industrial mill capabilities and limitations, to which he brings a deeply held concern for recycling. One of his favorite books is Victor Papanek’s Design for the Real World: Human Ecology and Social Change .
I am lucky to have had the chance to work with Scott to produce a custom bolt of synthetic artist’s canvas using recycled polymer. I recently sat down with Scott to talk about that project and ask the questions that a painter might have for a textile savant.
Continue reading about manufacturing recycled synthetic artist canvas…
Continue reading “Scott Bodenner on Recycled Synthetic Canvas”
Before (left) and after(right) photos from MoMA’s conservation of Jackson Pollock’s Number 1A showing work to reduce discoloration of raw cotton canvas.
NASA photos comparing the Aral Sea in 1989 (left) and 2014 (right).
The Arnold Print Works in North Adams Massachusetts produced 330 miles of cloth in 1905. Forced to close in 1942 due to low prices, the complex is now home to MASS MoCA, the Massachusetts Museum of Contemporary Art.
Fabric under gentle tension . Roy McMakin chairs upholstred in fabric by Scott Bodenner
Mix Tape is a recycled fabric designed by Scott Bodenner using recycled cassette tape along with other recycled yarns
The studio doors will be open Sunday November, 13, 2016 from 1-7PM
Sunday, November 13th, 2016, 1 – 7 PM
89 Bridge Street
Brooklyn, NY 11201
I’m up one flight of stairs, to the left, and down the hall.
Come share conversation, light, and art. Refreshments will be served, including some special gumbo prepared by a guest cooks in a neighboring studio.
Open studio Facebook Event
This account of a visit to the studio written by Linda Clarke appeared in a monthly newsletter published by the Brooklyn Monthly Meeting in October of 2016.
Lucy Sikes and I visited the Studio of Randall Stoltzfus one hot and humid afternoon in August. We are the perfect pair for this as Lucy is a professional artist with a career spanning more than fifty years and I am, um, intuitive. (Lucy kindly refers to this as “the poetic view.”) Together we embody both ends of the spectrum of viewer sophistication.
For the few who haven’t met him, Randy is the spouse of Friend Callie Janoff and is a frequent attender at Brooklyn Monthly Meeting. Having seen some of his artwork on his website, I knew that it was highly creative and skillful. And very original! I also had seen some of his paintings in reality, and was impressed with the way the light and the physical depth of the work spoke to my feelings. Nonetheless, I found myself ill-prepared for the visual cornucopia we encountered in his studio. The two dimensional view on the website (www.sloweye.net) conveys quite a bit about the quality and creativity but, naturally, fails to deliver the effect that accompanies the depth and light of the originals. In addition to the abundance of human feelings raised by his works (such as tenderness, playfulness, joy and serenity), there exists a richness of quality I think of as pertaining to the sacred (or, in a word, spiritual). The light presented in some paintings vaguely recalled in me some mostly forgotten place, while evoking memories of a rare silence.
The two artists talked about skills and technique and I was very interested to learn about some of them. It takes a lot of layers to create the complexity of Stoltzfus’ work and this translates into a lot of time and effort. One painting of a night sky, which is unique for its faithful depiction of the actual light of the stars, was accomplished via the incorporation of gold leaf. (There was some other talk about the use of red pigment which I couldn’t follow because I was still employed in walking back and forth to test the effect at different distances.) And though they may have explained some things to me about another work in shades of black and silver, I don’t expect to ever understand how it was able to evoke feelings of tenderness.
Stoltzfus embodies his awe and wonder of our universe in his work and invites us to explore visual experiences in a completely new way. I would not be surprised to see him recognized as a paradigm changer among artists characterized as sacred or spiritual painters.
— Linda Clarke, Brooklyn Meeting News
Several of my paintings are part of a creative seasonal display on the 7th floor at Bergdorf Goodman though October 14th.
The paintings “Crux” (left) and “Parapet” are part of a playful display on Bergdorf Goodman’s 7th floor
“Psyche” (top) and “Close”
The painting “Lot”
The painting “Corona”
Photos courtesy Blank Space Gallery.