My inspiration for this crimson, gold, and blue oil painting on panel came from an evening spent watching the sun set over the New York City harbor. It belongs to a series of other … “Quay”
When I began work on Wold, I had just discovered the generative pattern used to draw the classical labyrinth. I loved that this ancient design has been around for thousands of years, and out … “Wold”
The intricate surface of this painting is studded with dots 24k gilding. At a distance and in certain light, these dots of gold read as stars.
After was begun at the same time as the paintings Cove and Port. It was completed once those paintings had been installed in the space onboard the MV Britannia for which they were commissioned.… “After”